Coherence – architecture is most beautiful when it has come into its own everything refers to everything else and if one thing is removed it will destroy the whole place.Architecture as Surroundings – once a building is made, it becomes a part of the surroundings something someone will remember in 25 years, similar to a childhood park or street corner.The Light on Things – how the light fall on something, the way the shadows lie, how different materials pick up the light and reflect themĪt the end of the lecture, Zumthor adds three ‘appendices’ to this list three more answers, but ones that are more personal to him.Levels of Intimacy – the way the size, dimension, scale, and mass of the building contrasts with your own.Tension Between Interior and Exterior – the way the exterior of a house can portray your personality, and also the way it can hide what is inside.Between Composure and Seduction – the idea of drawing people in, a place where you can wander where you want without feeling pressured to make a choice.Surrounding Objects – the items people place in their houses.Temperature of Space – different materials change the temperature of a space, think steel vs.Sound of Space – the sound generated by the materials, size, and shape of a space… rather than the objects in it.Material Compatibility – the materials chosen and how they react with each other and their environment.The Body of Architecture – the structure or skeleton of a building.In it, Zumthor describes nine ‘answers’ to the question of what concerns him the most when he tries to generate an atmosphere in a building and also about the way he goes about things. The book titled Atmospheres is a lecture that was delivered by Peter Zumthor on June 1, 2003. – Brigitte Labs-Ehlert, Detmold, October 2005 C.Peter Zumthor appreciates places and buildings that offer people a haven, a good place to live and unobtrusive support.Ventrilo-Dialogue: A Conversation With A Popular Singer.Thomas has played percussion on Broadway since 1997 and writes about music at. He has released numerous electronic music recordings and his compositions for marimba and vibraphone have been performed internationally by soloists and university ensembles. He is the author of The Creative Electronic Music Producer, and his essays and book reviews have appeared in the journals Popular Music and Popular Music and Society, as well as edited collections by Routledge, Oxford, and Cambridge University presses. Thomas Brett is a musician and writer who holds a PhD in ethnomusicology from New York University.
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